Katapult – Coronavirus – Status Update

We are sad to announce that following the latest information, Katapult will remain closed from March 14th until April 19th.

We will follow the recommended guidelines of the relevant authorities and keep updates coming as often as is necessary. Please bear with us in this time of severe instability, and keep making great art.

If you have to stay at home, then you’ve got lots of time to train, create, and grow.

All the best to you all,

The Katapult team

Invisible – Puppet manipulation and creation of new monsters

Puppet manipulation with Johanna Ehlert and Anthony Mathieu
25-26 April, 2020
Wilhelminenhofstr 91, 12459 Berlin

The workshop is an immersion in the world of puppetry. We will work on the fundamental techniques of manipulation and relationship between manipulator and puppet and on how to initiate communication by using fortuitous gesture. Continue reading “Invisible – Puppet manipulation and creation of new monsters”

Your Creative Space 4.0 – Anna-Katharina Andrees

Three days of ‘Michael Chekhov acting technique’ with Anna-Katharina Andrees
15-17 May, 2020
Wilhelminenhofstr 91, 12459 Berlin

Tools for circus artists and performers in new circus.

Let’s continue our exploration with the Michael Chekhov Technique – this time focusing on specific tools for improvisation and ways to structure your composition, your creative process or just your personal rehearsal/ training. Structure can be freeing – just as improvisation can bring you to clarity.

It is not necessary to have done the previous workshops. Basic tools will be repeated. Continue reading “Your Creative Space 4.0 – Anna-Katharina Andrees”

The Attentive Act – Lisard Tranis & Clémentine Telesfort

Movement workshop with Lisard Tranis and Clémentine Telesfort
13-14 June, 2020
Wilhelminenhofstr 91, 12459 Berlin

Our workshop is aimed at people from all disciplines that are interested in expanding their creative tools and refining their movement quality. We propose the participants to focus on four main aspects that we are keen to develop as dance artists: sensitivity, control, availability, and creative adaptation. Continue reading “The Attentive Act – Lisard Tranis & Clémentine Telesfort”