Intertwining dynamic movement and creation
When: 03.10.2026 & 04.10.2026
Times: Sat 11:00-14:00
Sun 14:00-17:00
Where: Katapult, Wilhelminenhofstraße 91, 12459 Berlin (Studio 2)
REGISTRATION: larcher.clar@gmail.com
The workshop seeks the connection between technique and research on aerial props, considered as creative elements on stage.
It is proposed as a space to develop tools and methods for the creation of choreographic sequences on rope and silks through a sensitive listening to the aerial movement practice.
After introducing principles of dynamic movement in the air, we will study some choreographic sequences which merge an intertwined vocabulary with dynamic transitions, understanding the tasks, logics and methods they were created with .
We will therefore work on creative impro tasks that explore the partnering relationship between the body and the prop in order to offer participants new inputs to improve their own personal language and material.
Open to: people with a practice on aerials and interested in exploring
Price Information:
110 early bird (till 3rd of August)
130 full price
70 early bird (till 3rd of August – one day)
80 full price (one day)
REGISTRATION: larcher.clar@gmail.com
Bio
Clara is Italian, and specialized in aerial rope. In her research, she aims to explore the potential of the body in relation with the aerial apparatus, opening choreographic and narrative possibilities. She deepened her studies in Buenos Aires between 2014-2019, where she also attended the program in Dance with specialization “Expresión Corporal” at UNA and then she studied at Flic Circus School in Turin in 2021. She is the cofunder of Compañía Depáso touring with the show La Trottola and she is the creator of the solo show “Araké” with rope and multiropes.
More information for the students: the path
The present Body
Presence exercises and warm up to have the body available
The Aerial body
Biomechanics in the air to understand the functional movement
The dynamic body
Technical transitions to enrich the movement vocabulary
The choreographic body
Tools and methods to understand how to build paths on contents instead of shapes
The creative body
Tasks to explore how we elaborate one’s own expressive language and paths
The writing body
Inputs to fix personal choreographies
The END
A moment to open the process to the group with feedbacks
